In Toward a New Architecture, what does Le Corbusier mean by “sight?” He means both physical eyesight and metaphorical insight, and he moves back and forth between those meanings smoothly but not always clearly or consistently.
First, I have a few general notes. Corbusier praises engineering for its adherence to math/efficiency, which “puts us in accord with universal law… [and] achieves harmony.” Ideally, the architect’s role here is to arrange forms expressively, creating relationships that resonate with us and create beauty. For us to appreciate that, our eyes “are constructed to enable us to see forms in light.” Simplicity and clarity are thus the relevant values that Corbusier believes architecture has stopped honoring in favor of pointless things like historical styles. Likewise, our eyes are the primary way we interact with the built world and are in fact meant for that purpose. He does not specify whether we have evolution or a divine creator to thank for that, but it’s not hard to see a kind of soft Thomistic connaturality as an underlying assumption here.
Continue reading “Eyes That Do Not See”